星图与航线 | “景德镇大奖”创意设计奖获奖作品介绍

星图与航线

陶溪川国际手工艺术美术馆开馆展

暨世界手工艺术“星图计划”启航展

Star Atlas & Voyage Routes Opening Exhibition of Taoxichuan International Craft Art Museum& Launch Exhibition of the World Craft Art Star Atlas Project

展期 | Duration

2025年10月17日——2026年4月16日

October 17, 2025-April 16, 2026

地点 | Venue

陶溪川国际手工艺术美术馆

Taoxichuan International Craft Art Museum

展览前言

Exhibition Foreword

“星图与航线 | Star Atlas & Voyage Routes”是由陶溪川文创街区与中国美术学院共建的“陶溪川国际手工艺术美术馆”（Taoxichuan International Craft Art Museum）的开馆首展，也是未来数年将持续发生的“世界手工艺术星图计划”（World Craft Art Star Atlas Project）的启航展。

展览汇聚了来自首届“景德镇大奖”（Jingdezhen Prize）入围艺术家的数十件/组精彩手工艺术作品，该奖项由世界手工艺理事会（WCC）、国际陶艺学会（IAC）与景德镇创意设计中心联合发起，共征集了来自全球六大洲55个国家及地区的投稿作品1325件，由19位专家学者组成甄选委员会，通过匿名评审遴选出41位入围者。

在这幅手工艺术的星图上，景德镇是一颗由泥与火锻造的恒星——它从上古冶陶的光焰中亮起，穿梭白瓷、影青瓷、青花瓷的流光，抵达古典器物美学的巅峰，也成为了全球手工艺术的灵感汇聚点。作为“世界手工艺术星图计划”的启航之站，本次展览从景德镇·陶溪川的土地上出发，尝试描绘星图上遥相呼应的光点，共同勾勒出人类手艺的轮廓——这便是“星图与航线 | Star Atlas & Voyage Routes”所期待探访的时空图景。

景德镇大奖:创意设计奖

获奖作品

“Jingdezhen Prize” Award-winning work

Recipients of the Creative Design Award

A. 文创设计方向：面向全球设计师与品牌机构，征集以陶瓷为载体、兼具文化叙事与市场传播力的文创产品。作品需挖掘传统符号与当代审美的融合，通过批量化生产与市场化运作，推动陶瓷从艺术创作向文化消费品转化，强化其生活场景渗透与品牌价值。

B. 工业设计方向：聚焦日用陶瓷的功能创新与可持续设计，以 “人、器物、生活” 协同为核心，提升产品使用体验与工业化生产适配度。作品需兼顾耐用性、舒适性与现代美学，打造具备市场竞争力的量产日用陶瓷产品。

A. 文创设计方向：

Cultural and Creative Design Direction

作品：《流苏》

TASSEL

作者: 罗晟

材质：高温陶瓷

罗晟，景德镇人，深耕陶瓷设计与材料创新领域多年，现任景德镇赛德新材料科技有限公司（SDCC赛德艺术瓷材）联合创始人、设计总监。他曾南下深圳积累陶瓷陈设与家居配饰设计经验，2015年返乡创业，在三宝国际瓷谷创办当代陶艺画廊并策划多场展览。2020年联合创立赛德新材料后，聚焦建筑陶瓷与艺术瓷材研发，其设计的“流苏釉面陶瓷砖”获2025年EDIDA中国区最佳墙面装饰设计奖、入围2025 巴黎设计周中国创新馆（CCP) 展览、以“以硬塑软”的创意打破传统瓷砖刻板印象。他兼具艺术视野与产业思维，既推动陶瓷材料在空间装饰领域的跨界应用，也搭建产学研融合桥梁，助力景德镇陶瓷从传统手工艺向现代材料产业转型。

Luo Sheng, a native of Jingdezhen, has been deeply involved in the field of ceramic design and material innovation for many years. He currently serves as the co-founder and design director of Jingdezhen Saide New Material Technology Co., Ltd. (SDCC Saide Artistic Ceramic Materials). He once ventured south to Shenzhen to accumulate experience in ceramic display and home accessory design. In 2015, he returned home to start his own business, establishing a contemporary ceramic art gallery in the Sanbao International Ceramic Valley and curating multiple exhibitions. After co-founding Saide New Materials in 2020, he focused on the research and development of architectural ceramics and artistic ceramic materials. His design of "tassel glazed ceramic tiles" won the Best Wall Decoration Design Award in the EDIDA China region in 2025 and was shortlisted for the China Creative Pavilion (CCP) exhibition at Paris Design Week 2025, breaking the stereotype of traditional ceramic tiles with the creative concept of "using hardness to create softness". He possesses both an artistic vision and industrial thinking, promoting the cross-border application of ceramic materials in the field of spatial decoration, while also building a bridge for the integration of industry, academia, and research, helping Jingdezhen ceramics transition from traditional handicrafts to a modern material industry.

模仿布艺流苏的纵向线条，通过深浅不一的凹槽及凸起条纹呈现动态纹理，将“流苏”肌理融入陶瓷砖设计，以细腻的垂坠感、柔软的视觉触感打破传统瓷砖的坚硬印象，通过“以硬塑软”的反差感，为空间增添独特的视觉张力。“流苏”陶瓷墙面装饰模块系统，它不仅是一款原创产品，更是SDCC赛德艺术瓷材针对陶瓷装饰材料于不同场景应用而提出的系统解决方案。艺术化的陶瓷装饰材料在实际应用中会面临很多空间使用功能需求的问题，“流苏”陶瓷墙面装饰模块系统就是基于这些问题的解题思路，它代表了SDCC赛德艺术瓷材对陶瓷装饰材料的深度思考。我们希望更多的设计师参与到这个问题中来，共创更多奇思妙想的解决之道，让陶瓷装饰材料更好的融入我们的生活空间。

Imitating the vertical lines of fabric fringes, the design presents dynamic textures through varying depths of grooves and raised stripes, integrating the "fringe" texture into ceramic tile design. With its delicate draping feel and soft visual touch, it breaks the hard impression of traditional ceramic tiles. Through the contrast of "using hardness to create softness", it adds unique visual tension to the space.

The "Tassel" ceramic wall decoration module system is not only an original product, but also a systematic solution proposed by SDCC Art Ceramic Materials for the application of ceramic decoration materials in different scenarios. Artistic ceramic decoration materials face many problems related to spatial usage and functional requirements in practical applications. The "Tassel" ceramic wall decoration module system is based on the solution to these problems, representing SDCC Art Ceramic Materials' deep thinking on ceramic decoration materials. We hope more designers will participate in this issue and create more ingenious solutions, so that ceramic decoration materials can better integrate into our living spaces.

B. 工业设计方向：

Industrial Design Direction

作品：《FU (福) 灯 FU 》

(Blessing) Lamp

作者: 冉祥飞

材质：陶瓷，电子元件

冉祥飞是 1987 年出生于湖南的新生代陶瓷设计师、策展人，毕业于江南大学工业设计专业研究生，2014 年定居景德镇并创立 “一样一生” 陶瓷工作室，同时担任 “若有光” 玲珑瓷品牌联合创始人、“DEMMMM” 品牌主理人，以工业设计思维重构传统陶瓷，获评 “中国家居行业年度手艺人”，跻身全球华人 80 后百位设计师之列。

核心创作理念：他始终秉持 “让陶瓷融入当下生活” 的核心主张，认为传统工艺需适配当代审美与需求，通过亲民定价让优质陶瓷材料和工艺走进寻常百姓家，践行 “一样东西用一辈子” 的品牌初心。创作中既注重东方诗意的表达，从故乡山水、月光等元素中汲取灵感，又强调产品的实用性与场景适配性，拒绝单纯的个人审美宣泄，以理性思维平衡市场需求与文化表达。

品牌矩阵与创作特色：“一样一生”：主打东方韵味日用瓷，以茶器为核心，产品命名与造型充满诗性，如满月壶、山雨碗、山水盘等，通过 5 种釉色表现山岚雾霭，刷银工艺让器物随使用氧化呈现独特质感，为独居人群设计的组合餐具兼具传统器形与现代功能。“若有光”：专注非遗玲珑瓷创新，突破传统 “玲珑眼” 2 厘米长度限制至 8 厘米，采用磨砂釉面等新工艺，推出极光餐具、二十四节气系列等，将透光工艺延伸至灯具、香薰器等品类，以 300-500 元主力定价让非遗走进日常。“DEMMMM”：面向年轻群体的叛逆风格品牌，以 800 毫升超大号水杯为标志产品，采用全釉底工艺，搭配可复用为花盆的循环材料包装，传递环保与个性表达。

成就与影响：他曾斩获德国红点至尊奖、iF 设计奖、金汐奖等多项国际设计大奖，作品《FU（福）灯》获景德镇创意设计奖，部分作品被荷兰国立博物馆、英国维多利亚与阿尔伯特博物馆（V&A）等机构收藏。作为策展人，他参与 “设计上海”“MADE IN JDZ” 等项目，推动景德镇陶瓷走向更广阔的国际舞台；其联合创作的《海错灯》将玲珑瓷与工业金属结合，亮相 UCCA 陶美术馆 “即兴游离：陶瓷新倾向” 展，展现陶瓷跨界创新的更多可能。

Ran Xiangfei is a new generation ceramic designer and curator born in Hunan in 1987. He graduated from Jiangnan University with a master's degree in industrial design. In 2014, he settled in Jingdezhen and founded the "Same Life" ceramic studio. He also serves as the co-founder of the "Ruo Guang" Linglong porcelain brand and the head of the "DEMMMM" brand, reconstructing traditional ceramics with industrial design thinking. He was awarded the "Annual Craftsman of China's Home Furnishing Industry" and ranked among the top 100 Chinese designers born in the 1980s worldwide.

Core creative philosophy: He always adheres to the core proposition of "integrating ceramics into current life", believing that traditional crafts need to adapt to contemporary aesthetics and needs. Through affordable pricing, he brings high-quality ceramic materials and crafts into ordinary people's homes, practicing the brand's original intention of "using the same thing for a lifetime". In creation, we not only focus on the expression of Eastern poetry, drawing inspiration from elements such as hometown landscapes and moonlight, but also emphasize the practicality and adaptability of the product to the scene, rejecting pure personal aesthetic expression and balancing market demand and cultural expression with rational thinking.

Brand Matrix and Creative Features: "Same Life": The main focus is on Oriental style daily-use porcelain, with tea utensils as the core. The product names and shapes are full of poetic elements, such as the Full Moon Pot, Mountain Rain Bowl, and Landscape Plate. Through five glaze colors, the mountain mist is expressed, and the silver brushing process allows the objects to oxidize and present a unique texture as they are used. The combination tableware designed for solitary people combines traditional shapes with modern functions. If there is light ": Focusing on the innovation of intangible cultural heritage Linglong porcelain, breaking through the traditional" Linglong eye "length limit of 2 centimeters to 8 centimeters, using new processes such as frosted glaze, launching Aurora tableware, 24 solar terms series, etc., extending the light transmission process to categories such as lamps and aromatherapy, with a main pricing of 300-500 yuan to bring intangible cultural heritage into daily life. DEMMMM ": a rebellious style brand aimed at young people, featuring an 800 milliliter oversized water cup as its signature product. It adopts a fully glazed bottom process and is packaged with reusable materials that can be used as flower pots, conveying environmental protection and personal expression.

Achievements and Influence: He has won multiple international design awards such as the Red Dot Supreme Award, iF Design Award, and Jinxi Award in Germany. His work "FU Lamp" won the Jingdezhen Creative Design Award, and some of his works have been collected by institutions such as the National Museum of the Netherlands and the Victoria and Albert Museum (V&A) in the UK. As a curator, he participated in projects such as "Design Shanghai" and "MADE IN JDZ" to promote Jingdezhen ceramics to a broader international stage; The joint creation of "Haicuo Lantern" combines Linglong porcelain with industrial metal and is showcased in the UCCA Ceramic Art Museum's "Improvisational Freedom: New Trends in Ceramics" exhibition, showcasing more possibilities for cross-border innovation in ceramics.

FU (福) 灯的设计灵感来源于“家”的温柔给在外奔波的人们带来的可柔软感受。流畅造型舒缓，简约而又不简单，摆在哪里都百搭美观。使用时三档调光，电池储电，搭配暖色玲珑间接暖色光源。在提升空间氛围的同时，也提升使用时的安全性。

The design inspiration for the FU (Fu) lamp stems from the gentle feeling of "home" brought to people who are constantly on the move. Its sleek shape is soothing, simple yet not simplistic, making it a versatile and beautiful addition to any space. It features three-level dimming, battery storage, and a warm, delicate indirect light source. While enhancing the atmosphere of the space, it also improves safety during use.

关于展览

Regarding the Exhibition

手工艺术，可回向今日我们所谈论之“艺术”的源初母体——获得直立行走能力，从而被解放了双手的人类，开始蹒跚懵懂地用手与身外的世界周遭打起了各种交道：抟土为器或造像，结绳为网或记事，刳木为舟、剡木为矢，聚石成塔、冶石成金……人类的文明、信仰、知识，就这么点点滴滴地建立了起来；而伴随着生活的器具所建立的，正是生活本身。

这是技/艺（techne, τέχνη）未分之时。日积月累，在地球之上的栖居和纷扰中，由手工而生的器具，见证了“满天星斗”式的文明萌生；又在漫长的岁月流转中，伴随着人类的迁徙、生产、交易，形成了一条条流动的手工艺术的航线，最终化身为我们在当代的手工艺术世界中，得以管窥、展望的一幅浩瀚星图。

现场同时展出“世界手工艺术星图计划”中的“亚洲工艺思想”特别单元，由来自中国美术学院的研究者、艺术家师生共同完成，并以此作为序章，联通向毗邻而即将开馆的“陶溪川国际手工艺术图书馆”（Taoxichuan International Craft Art Library），这一世界上最大规模的手工艺术主题图书馆，它的首批15000册藏书将在不久之后向所有到访者开放，各条人类历史上的手工艺术“航线”也将呈现于其中——“航线”与“星图”彼此牵引，成就一艘手与心的航船，让我们共同登上它的思想之甲板，借由手艺之罗盘，眺望、探索、共同制作未来的文化星图。