厦门大学创意与创新学院课程成果｜数字设计技能 Digital Design Skills

数字设计技能

一年级 第二学期

创意通修课程

2025级

Digital Design Skills

Semester 2 – Year 1

Creative Foundation

2025 Cohort

教学团队

Teaching Team

Colin Cheong, Nace Pusnik, Kimvi Nguyen, 张宁 ZHANG Ning, 林怡婕 LIN Yijie

课程简介

《数字设计技能》课程面向大一学生，通过创新的教学方法，引导学生在探索新兴技术与传统数字工具之间关系的同时，逐步掌握基础视觉沟通技能。

课程将创意探索与技术执行有机融合，打破传统教学中"先学工具再创作"的线性模式。课程的第一阶段以人工智能辅助创作为切入点，鼓励学生通过AI图像与视频生成工具进行自由探索，完成个人虚构电影的AI版本海报及预告片制作。在这一阶段，学生可以专注于创意构思而无需受技术限制，从而树立创意想法的信心。AI工具作为"创意催化剂"，能够帮助学生快速将模糊的概念转化为可视化的视觉方案。第二阶段则引导学生运用Adobe Photoshop、Illustrator、InDesign、Premiere Pro等行业标准软件，对前期成果进行专业化重构与再创作，通过亲手操作设计软件，迭代出重制版本的电影海报及预告片。

《数字设计技能》课程同时结合了人工智能工具的创意探索与行业标准软件的专业技能训练，使学生在掌握概念理解的同时，提升专业实践能力。学生从实验构思过渡到专业执行，培养了核心设计应用中必备的数字能力与专业技能。这一数字工具与流程的基础对于未来创意实践至关重要，使学生能够在不同的数字媒介与创作环境中表达创意愿景，同时了解人工智能与传统数字工具的潜力与边界。

在数字工具重塑创意实践的时代，培养基础数字能力不仅是技术要求，更是拓展创意可能性的必经之路。当代艺术家与设计师正面临传统技能与新兴技术交汇的复杂创作环境，需在两者之间不断探索与平衡。本课程倡导不把这两者简单区分开来，而是提倡一种融合的方式，既尊重人类创造力的核心价值，也强调技术能力的重要作用。

INTRO

Designed for year 1 students, the Digital Design Skills employs innovative teaching methods that guide learners to explore the dynamic relationship between emerging technologies and traditional digital tools while gradually mastering foundational visual communication skills.The unit organically fuses creative exploration with technical execution, breaking away from the conventional linear model of "learn the tools first, create later." Phase 1 uses AI-assisted creation as its entry point, encouraging students to freely experiment with AI image and video generation tools to produce AI-generated posters and trailers for their own fictional films. During this stage, students can focus on conceptual ideation without being constrained by technical limitations, thereby building confidence in their creative ideas. Serving as a "creative catalyst", AI tools help students rapidly transform vague concepts into tangible visual proposals. Phase 2 then guides students to use industry-standard software, including Adobe Photoshop, Illustrator, InDesign, and Premiere Pro to professionally reconstruct and reimagine their earlier work. Through hands-on engagement with design software, students iteratively produce remastered versions of their film posters and trailers, bridging the gap between experimental ideation and polished execution.The Digital Design Skills uniquely combines creative exploration with AI tools and professional skill training with industry-standard software, enabling students to gain their conceptual understanding while enhancing their practical expertise. Students progress from experimental ideation to professional execution, developing essential digital competencies and technical skills required for core design applications. This foundation in digital tools and processes is essential for future creative practice, enabling students to articulate their creative vision across various digital media and production environments while understanding the possibilities and limitations of both AI and traditional digital tools.In an era where digital tools are reshaping creative practice, developing fundamental digital competencies becomes not just a technical requirement, but a gateway to expanded creative possibilities. Contemporary artists and designers face a complex creative environment where traditional skills intersect with emerging technologies, requiring continuous exploration and balance between the two. This unit promotes an integrated approach that honors the core value of human creativity while emphasizing the crucial role of technical capability.

学生作品

STUDENT WORKS

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张筱萌 《镜厅》 类型：科幻ZHANG Xiaomeng，Mirror System，Genre：Science Fiction

《镜厅》是一部发生在近未来的科幻电影。在这个由“幻镜集团”支配的社会中，镜子早已渗透进每一处日常生活。表面上，这家公司只生产家用镜、智能镜与建筑玻璃；实际上，每一面镜子都藏有微型芯片，悄无声息地捕捉人类的表情、语言、情绪与行为，并将数据汇入中央系统，以预测人的选择乃至未来，进而操控整个社会。

主角是集团销毁部门的一名底层员工。在处理一批从未上市的缺陷镜时，他意外发现了藏在镜面内部的芯片，也逐渐意识到：镜子从来不只是在反射现实，它们始终在观察并记录人类。他试图用自制的简易预测镜反抗公司，却发现自己的怀疑、调查，甚至反抗本身，都早已出现在系统的推演之中。最终，他明白，系统真正依赖的并非无懈可击的技术，而是人类行为的可预测性。或许，只有变得荒诞、随机、不可预测，才能抵抗绝对理性的预测系统。

Mirror Systemis a science-fiction film set in the near future. In a society dominated by the Mirror Corporation, mirrors have permeated every aspect of everyday life. On the surface, the company merely manufactures domestic mirrors, smart mirrors and architectural glass. In reality, every mirror contains a hidden microchip that silently captures human expressions, speech, emotions and behavior, transmitting the data to a central system that predicts human choices and even the future itself, thereby manipulating society.The protagonist is a low-level employee in the corporation’s disposal department. While handling a batch of defective mirrors that were never released, he discovers a chip concealed inside the mirror surface and gradually comes to realize that mirrors have never simply reflected reality—they have been observing and recording humanity all along. He tries to resist the corporation by building a makeshift predictive mirror of his own, only to find that his doubts, investigation and even his rebellion have already been anticipated in the system’s simulations. In the end, he understands that the system relies not on infallible technology, but on the predictability of human behavior. Perhaps the only way to resist a system of absolute rationality is to become absurd, random, and unpredictable.

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赵紫含《屠龙记》 类型：武侠ZHAO Zihan,Dragon Slayer, Genre: Martial Arts

《屠龙记》是一部以武侠电影和水墨视觉风格为灵感的短片。故事发生在一个被干旱诅咒的世界，土地枯裂，河流干涸，传说中的巨龙盘踞在山谷深处，被人们视为灾难的来源。一个戴着红色头带的十二岁女孩独自进入江湖，决定前往干涸的龙潭屠龙，拯救这片土地。然而，当她真正面对巨龙时，她发现事情并不像传说中那样简单。巨龙并不是纯粹邪恶的怪物，而是被黑暗力量困住、痛苦挣扎的生命。如果杀死巨龙，世界也许会恢复平衡；但她也意识到，真正的问题并不只是巨龙本身。影片通过强烈的黑白对比、快速剪辑、闪白画面和水墨般的动作轨迹，表现女孩与巨龙之间的战斗。最终，她做出的选择不只是为了胜利，而是为了理解、牺牲与救赎。这个故事想表达的是：真正的勇气并不是单纯战胜敌人，而是在恐惧和冲突面前仍然做出自己的道德选择。

TheDragon Slayeris a short film inspired by martial arts movie and the ink-wash visual style. The story takes place in a world cursed by drought, where the land is cracked and parched, rivers have run dry, and a legendary dragon lurks deep in the valley, regarded by people as the source of the disaster. A twelve-year-old girl wearing a red headband enters the jianghu alone and decides to travel to the dried dragon pool to slay the dragon and save the land.However, when she actually faces the dragon, she finds that things are not as simple as the legend says. The dragon is not a purely evil monster, but a struggling creature trapped by dark forces. If she kills the dragon, the world may regain balance, but she also realizes that the real problem is not just the dragon itself.Through strong black-and-white contrast, fast editing, white flashes, and ink-like motion trails, the film depicts the battle between the girl and the giant dragon. In the end, her choice is not just for victory, but for understanding, sacrifice, and redemption. The story intends to convey that true courage is not simply about defeating an enemy, but about making one’s own moral choice in the face of fear and conflict.

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常嘉洢 《千寻渡》 类型：奇幻CHANG Jiayi，A Thousand Searches For Her，Genre：Fantasy

十五岁女孩在奶奶离世后满心悔恨。浓烈的思念驱使她，借着散发微光的遗像穿越来到地府，还被误认成阴间办事人员。这片温暖安宁的冥界打消了她对死亡的恐惧。她找到了失去记忆、却依旧被执念困住的奶奶，并默默帮奶奶完成未了心愿。最后奶奶唤出她的名字，安然转世。女孩由此对生死有了全新感悟；重返人间之后，她变得坚强懂事，用心善待家人。

A fifteen-year-old girl is filled with regret after her grandmother passes away. Overwhelmed by longing, she uses the glowing portrait of her grandmother to travel to the underworld, where she is mistaken for a staff member. The warm and peaceful underworld dispels her fear of death. She finds her grandmother, who has lost her memory but remains trapped by her attachments, and quietly helps her fulfill her unfulfilled wishes. In the end, her grandmother calls out her name and reincarnates peacefully. The girl gains a new perspective on life and death. Upon returning to the human world, she becomes strong, understanding, and treats her family with great care.

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林子郁 《沉溺》 类型：科幻LIN Ziyu,Immersion,Genre:Science Fiction

15秒科幻悬疑爱情短片《沉溺》制作了双版预告，AI 版完整呈现男主沉溺 AI、情侣争执、断电时刻高潮等全部剧情节点，叠加代码、数字故障特效强化戏剧冲突；真人实拍版沿用海报中的男主的角色设定，以柔和自然光、慢镜头刻画独处疏离氛围。创作参考电影《她》的冷暖对比光影、《蓝色情人节》手持碎片化剪辑，融合双重曝光、镂空人像等海报视觉语言，搭配 Scto Grotesk 标题字体，用 Premiere 完成剪辑调色，借虚实光影与镜头对照，讲述数字时代亲密关系割裂、情感沉溺的核心主题。

The 15-second sci-fi mystery romance short filmImmersionhas produced two versions of its trailer. The AI version presents all key narrative moments, including the male protagonist’s obsession with AI, the couple’s conflict, and the climactic power outage, while overlays of code and digital glitch effects intensify the dramatic tension. The live-action version retains the male protagonist established in the poster, using soft natural lighting and slow-motion shots to portray an atmosphere of solitude and alienation. The creative approach draws on the contrast between warm and cool lighting inHerand the fragmented handheld editing style ofBlue Valentine. It also incorporates the visual language of the poster, such as double exposure and cut-out portrait images. Scto Grotesk is used for the title typography, while editing and colour grading are completed in Adobe Premiere Pro. Through the interplay of virtual and real light and shadow, and the contrast in camera language, the film explores the core theme of fragmentation of intimate relationships and emotional immersion in the digital age.

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吴长煜 《轮回》 类型：科幻WU Changyu，Reincarnation，Genre: Science Fiction

2684年，地球已遭毁灭。意识克隆技术使统治者得以永生。伊利亚斯遵照已故妻子莉娜的信号前往深渊宝库，却发现自己是一名被派来开启轮回引擎的重复克隆体。那块巨大的头骨遗迹证明，“重生”不过是虚假的复制。伊利亚斯牺牲自己，竭力破坏该系统，终结了虚假的不朽。最后一个场景暗示轮回可能仍将继续，形成开放式结局。

In the year 2684, Earth has been destroyed. Consciousness-cloning technology has enabled the rulers to achieve immortality. Following a signal from his late wife, Lena, Elias travels to the Abyss Vault, only to discover that he is a repeated clone sent to activate the Reincarnation Engine. A giant skull relic proves that “rebirth” is nothing more than false replication. Elias sacrifices himself in an attempt to destroy the system, putting an end to this false immortality. The final scene suggests that the cycle may still continue, leaving the story open-ended.

以上作品仅供教学与交流使用。部分课程作品中的图像及声音素材来源于网络或使用 AI 生成。

The above works are for educational purposes only. Some image and sound materials used in the student works are sourced from the internet or generated using AI.