北京服装学院艺术设计学院《结构形态设计》课程汇报

课 程 总 述

指导老师 / Professors

Johann v. Mansberg、叶子剑 Ye Zijian

由Johann v. Mansberg与叶子剑老师共同讲授的《结构形态设计》课程，深度融合人工智能工具应用逻辑与实践创作，以开放多元的课程设置，引导学生在实践中建立对 AI 设计工具的批判性认知。

课程以人工智能在结构形态设计中的融合应用为核心目标，联合深圳 AIRIlab 软件企业开放平台资源并提供技术支持，教学内容覆盖头脑风暴、方案生成到成果展示的全设计环节。通过开放实验场景与反思性试错等研讨模式，引导学生对 AI 设计保持理性思考，助力学生构建适配数字时代的设计思维体系。

图 | 2025届结构形态设计课程师生合影

图 | 课程线下展览

1

课题1：海塘湾海滩俱乐部--AI设计工具实践探索

指导教师：Johann v. Mansberg

课题介绍：本次课程选取海南三亚海棠湾海岸线海滩俱乐部设计为实践课题，以通俗易懂的滨海场景为载体，引导学生主动与前沿 AI 设计工具互动，探索人类智慧与人工智能在设计迭代、方案呈现全流程中的融合模式。课程与深圳人工智能软件服务商深度合作，开放AIRIlab平台使用权限并提供技术指导，打造开放实验课堂，引导学生对 AI 设计保持理性思考，助力学生构建适配数字时代的设计思维体系。如下以批判性视角总结 AI 协同设计核心理念：

1. 与 AI 协作是一场双向对话，高效对话需要人类兼具专业技术能力与文化责任担当。

2. AI 是双向互动的创作工具，而非仅用于快速出图；适度抽象思考，能打开更多设计可能。

3. 未来优秀设计师，将以纯粹好奇心与文化坚守，在海量方案中引领设计方向。

Project 1：A beach club for Haitangwan, Hainan – experimenting with Ai design tools

Professor： Johann v. Mansberg

Project Introduction

This course adopts the design of a beach club along the coastline of Haitang Bay, Sanya, Hainan as the practical project. Taking an approachable coastal spatial scenario as the carrier, it guides students to interact proactively with cutting-edge AI design tools, and explores the integration paradigm of human wisdom and artificial intelligence throughout the whole process of design iteration and scheme presentation.The course establishes in-depth cooperation with an artificial intelligence software service provider in Shenzhen. It grants access to the AIRIlab platform and delivers professional technical guidance, constructing an open experimental classroom. It leads students to maintain rational thinking on AI design and helps them build a design thinking system compatible with the digital era.

The core philosophies of AI collaborative design are summarized from a critical perspective:

1. Collaboration with AI is essentially a two-way dialogue. Effective interaction requires designers to integrate professional technical capability with cultural responsibility.

2. AI serves as an interactive creative tool rather than merely a platform for rapid image generation. Moderate abstract thinking can broaden the boundaries of design possibilities.

3. Outstanding designers of the future will uphold pure curiosity and cultural persistence, and take the lead in shaping design trends amid massive alternative proposals.

成 果  展 示

1

衔尾蛇

海岸永恒沙滩活动空间设计

姜卓言

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设计说明：设计以衔尾蛇作为主要设计元素进行发散，提取循环的圆圈元素，形成无限的符号，呼应潮汐涨落与季节更迭，象征万物生死循环，在空间中创造出一种生生不息的动态韵律。整体建筑横穿雨林与沙滩海岸，表达了一种生命的循环，更是对水污染和森林砍伐的一种讽刺和希望寄托，呼吁人们对环境的珍惜与保护，并且圆环代表宇宙的整体性与无限可能，旨在为使用者提供一个完整、和谐的空间，找回内心的平静与归属感。

The design takes the ouroboros as the main design element for divergence, extracting circular elements to form an infinity symbol, echoing the ebb and flow of tides and the changing seasons, symbolizing the cycle of life and death of all things, and creating a dynamic rhythm of perpetual life within the space. The overall architecture stretches across the rainforest and the sandy coast, expressing a cycle of life, while also serving as a critique and hope regarding water pollution and deforestation, calling on people to cherish and protect the environment. In addition, the ring represents the wholeness and infinite possibilities of the universe, aiming to provide users with a complete and harmonious space, helping them regain a sense of inner peace and belonging.

2

双壳湾

田丁韶初

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设计说明：本项目坐落于沙滩与椰林之间，以海洋中自然生长的贝壳为设计灵感，取 “珠生于贝，贝生于海” 的浪漫意境，打造一处与滨海环境共生的游客休憩娱乐空间。建筑形态从扇贝的有机轮廓中提炼而来，以双贝相依的造型呼应海岸风光，纯白的曲面外壳既像被海浪打磨的贝壳，又似海边扬起的风帆，以柔和的有机形态消解建筑与自然的边界，成为沙滩上的标志性景观节点。

This project is located between the beach and the coconut grove. It takes the naturally growing shells in the ocean as its design inspiration, drawing on the romantic imagery of "pearls born from shells, shells born from the sea" to create a tourist rest and entertainment space that coexists with the coastal environment. The architectural form is derived from the organic outline of scallops, with a double-shell interlocking shape that echoes the coastal scenery. The pure white curved shell-like exterior resembles both shells polished by the waves and sails raised by the seaside breeze, dissolving the boundary between the building and nature with its gentle organic form and becoming a landmark landscape node on the beach.

3

船屋逐浪

三亚海棠湾黎族船型屋主题海滩俱乐部

闫锦梧

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设计说明：船型屋是黎族先民渡海而来的精神载体，其形如倒扣木船的拱顶茅草屋，不仅承载着族群迁徙的历史记忆，更蕴含着适应海南高温、高湿、台风环境的营造智慧。三座船型屋单元沿沙滩线性排布，形成递进式空间序列:面向海面，成为观景、休憩、社交的核心界面;建筑延续船型屋“前廊后室”的空间基因性，以大面积玻璃引入海景与椰林景观，实现传统形态与当代通透空间的融合;外部平台延伸至沙滩，串联躺椅区、吊床区与冲浪活动区，将黎族船屋的“庇护性”转化为滨海度假的“开放性”，让建筑成为人与自然互动的媒介。

The boat-shaped house, a spiritual vessel of the Li ancestors' maritime migration, features an arched thatched roof resembling an upturned boat hull. It not only carries the historical memory of ethnic migration but also embodies the construction wisdom adapted to Hainan's high temperatures, high humidity, and typhoon-prone environment. Three boat-shaped house units are arranged linearly along the beach, forming a progressive spatial sequence: facing the sea, they serve as a core interface for viewing, resting, and social interaction. The architecture inherits the spatial gene of "front porch and rear chamber" from traditional boat-shaped houses, while large glass panels introduce sweeping views of the sea and coconut groves, achieving a fusion of traditional forms with contemporary transparency. External platforms extend onto the sand, connecting lounge chair areas, hammock zones, and surfing activity areas, translating the "sheltering" quality of Li boat houses into the "openness" of coastal resort living, allowing architecture to become a medium for interaction between humans and nature.

4

浪栖・海岸

张鑫琪

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设计说明：本设计以海浪为灵感，打造三亚滨海俱乐部设施。建筑以起伏的清水混凝土曲面为核心，通过流畅的曲线呼应海岸的自然肌理。功能上整合了中心剧场、室内咖啡书吧、檐下休闲区与观海平台等多元空间，同时通透的玻璃界面将海景引入室内，观景栈道引导人们从不同视角感知海面、椰林与城市天际线的交织之美。

Design Description: This design is inspired by ocean waves and creates a coastal club facility in Sanya. The architecture centers on undulating exposed concrete surfaces, responding to the natural texture of the coastline through smooth curves. Functionally, it integrates diverse spaces including a central theater, an indoor café and book bar, a shaded leisure area, and a sea-view platform. At the same time, transparent glass facades bring the ocean view indoors, and a scenic walkway guides people to perceive the intertwined beauty of the sea surface, coconut groves, and city skyline from different perspectives.

5

碧海隐逸

三亚海棠湾俱乐部设计

张洲

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设计说明：本项目坐落于三亚海棠湾滨海地带，依托场地平缓滨海地貌与热带海洋季风气候进行打造，定位滨海海滩俱乐部。建筑采用 U 型布局，围合出内向景观庭院，顺势衔接海岸肌理。结合当地高温多雨、海风充沛的气候特征，优化建筑朝向与通风界面，利用架空与开放式立面强化自然通风、遮阳隔热。

Design Description: This project is located in the coastal area of Haitang Bay, Sanya. It is developed based on the site's gently sloping coastal terrain and tropical marine monsoon climate, and is positioned as a seaside beach club. The building adopts a U-shaped layout, forming an inward-facing landscape courtyard that seamlessly connects with the coastal texture. Taking into account the local high-temperature, rainy, and windy climate characteristics, the building orientation and ventilation interfaces are optimized, using elevated structures and open facades to enhance natural ventilation and provide sun shading and heat insulation.

6

粼光跃迁

基于异质材质嵌套的海滨模块化音乐空间设计

李凌峰

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设计说明：设计以温度补偿为核心策略，摒弃初期过度冷峻的极简工业语境，采用异质材质嵌套手法构建四层清晰的材质功能体系：底层以原色钢筋混凝土为锚固基座，保障海岸复杂地形下的结构稳定；中层以抛光镀铬钢分支网架为支撑骨架，实现大跨度悬挑与通透空间；核心功能区嵌套暖色木质模块化单元，以温润质感消解金属与混凝土的冷硬感，同时优化音乐空间声学环境；外围护采用高透玻璃面板消解边界，顶层覆盖参数化金属鱼鳞顶篷，兼具遮阳功能与光影叙事效果。

The design takes temperature compensation as the core strategy, abandoning the initially overly austere minimalist industrial context, and uses a heterogeneous material nesting approach to construct a four-layer clear material functional system: the bottom layer uses raw reinforced concrete as an anchoring base to ensure structural stability on the complex coastal terrain; the middle layer uses a polished chrome steel branch grid as the supporting skeleton to achieve large-span cantilevering and a transparent space; the core functional area nests warm wooden modular units, using a warm texture to neutralize the cold hardness of metal and concrete, while optimizing the acoustic environment of the music space; the outer enclosure uses high-transparency glass panels to blur boundaries, and the top layer is covered with a parametric metal fish-scale canopy, providing both sunshade function and light and shadow narrative effects.

2

课题2：AI赋能城市公共空间更新设计路径探索

指导教师：叶子剑

课题介绍：课程主题围绕人机协同设计的前沿定位，将AI工具深度嵌入两类城市公共空间更新设计实践：

（1）针对立交桥下光照不足、生态缺失的灰空间修复场景，借助AI工具开展模块化装置参数化推演、本土藤本植物适配性探索、自适应引光装置设计，动态照明效果预演，大幅提升垂直绿化修复方案的落地性与生态效益；

（2）针对北京地铁老旧线路地下公共空间环境品质提升，利用AI工具的大样本处理能力，完成艺术设计数据批量统计、构建舒适性关联模型，为公共艺术布局优化提供可量化的科学决策依据。

课程既产出了兼顾生态性、艺术性与实用性的城市空间更新方案，也系统总结了AI在设计创意发散、方案迭代优化、效果量化评估各环节的应用方法论，探索出一条创意创新与实证支撑相结合的公共空间更新的新路径。

成 果 展 示

01

河影光廊

模块化悬索绿化与采光复合装置

成员：唐硕、孙毓婕、张泽翔

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设计说明：本设计针对立交桥下光照缺乏、污染严重的“灰空间”，提出集垂直绿化、空气净化与智能照明于一体的模块化生态修复方案。以高强度绳索悬挂可调高度的土陶储水盘，引导藤本植物攀爬，将水泥立柱转为绿色屏障，便于组装维护。繁茂的绿墙可截留扬尘、吸收尾气，配合植物蒸腾与水分蒸发，提升湿度、降低温度，改善微气候。内嵌柔和照明，夜间提供安全光线。以柔性生态介入刚性城市骨架，使桥底蜕变为会呼吸、有温度的绿色光影长廊。

This design addresses the dark, polluted "grey space" beneath overpasses with a modular ecological solution integrating vertical greening, air purification, and intelligent lighting. High-strength ropes suspend adjustable terra-cotta water storage disks, guiding climbing plants to transform concrete pillars into green barriers that are easy to install and maintain. The lush green wall captures dust and exhaust fumes, while plant transpiration and water evaporation increase humidity and reduce temperature, improving the microclimate.Embedded soft lighting provides safe nighttime illumination. This flexible ecological intervention turns the barren underpass into a living, breathing green corridor of light and shadow.

02

地铁车站公共空间环境艺术设计研究

成员：许琛琛、赵雅洁、孙崇宇

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本研究以北京地铁车站为样本，综合运用实地调研、统计分析与比较研究等方法，首次对北京地铁艺术设计进行全路网系统性统计，构建了“地下空间约束—环境艺术策略—舒适性评价”的分析框架。研究发现北京地铁公共艺术覆盖率呈现新老线路显著分化的阶梯式增长，艺术形式以传统壁画为主，空间分布集中于站厅层；照明、材料、色彩及绿化等艺术设计手段能够有效提升视觉舒适性与心理舒适性，合理的设计还可缩短乘客寻路时间。本文提出的“设计要素—舒适性”关联分析模型可为地铁环境艺术设计提供了可循证的科学依据，并为我国城市轨道交通公共空间品质提升提出优化路径。

This study takes Beijing subway stations as a sample and, through a combination of field surveys, statistical analysis, and comparative research, conducts the first systematic network-wide statistical study of art design in the Beijing subway. It establishes an analytical framework of 'underground space constraints—environmental art strategies—comfort evaluation.' The study finds that the coverage of public art in the Beijing subway shows a stepwise increase, with a significant differentiation between old and new lines. Traditional murals dominate the forms of art, and spatial distribution is concentrated in the station halls. Artistic design elements such as lighting, materials, color, and greenery can effectively enhance visual and psychological comfort, and reasonable design can also reduce passengers' navigation time. The 'design elements—comfort' correlation analysis model proposed in this paper provides an evidence-based scientific basis for subway environmental art design and suggests optimization pathways for improving the quality of urban rail transit public spaces in China.

北京服装学院 艺术设计学院